Maybe comic movies were over you first and just didn't have the chance to break up with you first. Did you ever think about that?Flip wrote:I'm SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO over comic movies. I seriously doubt i'll see the avengers squad super powers mega team until it hits HBO or something.
I'll tell you the same thing I tell my dad when he bitches in the same vein: Marvel is in the movie business. Get used to it!Flip wrote:I'm SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO over comic movies. I seriously doubt i'll see the avengers squad super powers mega team until it hits HBO or something.
Well, that actually makes more sense. Sony is just going to end up driving Spidey into the ground. That being the case, let it fail. It probably will fail. There's no point to a reboot this soon. As soon as it fails, Sony will consider the IP a failure, and either give it up by time-lapse or sell it back to Marvel.Zeus wrote:OK, Sine, you have it all confused. Marvel has no degree of control over Spidey, X-Men, Fantastic Four, or Daredevil right now. Like I mentioned before, the reason you keep seeing these quick reboots or sequels is so Sony and Fox (Sony owns the first, Fox the other 3) can continue to maintain their movie-making rights to those IPs. Marvel CAN'T get them back unless the other studios let them lapse and considering the coin they've made (from the first two especially; FF1 made coin but 2 not so much and Daredevil made just enough to release Elektra) that ain't gonna happen.
Yeah, though the Hulk 2 film didn't really pan out all that great, either. In any case, Marvel is a loooong-term planner, so they will be fine with waiting for 10 years. They have plenty of other IP. I still can't believe that their IP/rights contracts don't have durations, or have this auto-extend BS. Imagine if Nintendo ended up fucking themselves over more permanently with the CD-i Zelda games.Zeus wrote:So Marvel is fucked when it comes to their biggest IPs and they know it. Sure they're making great coin off them but they can do SO much better if they did them themselves. I don't know how much longer the IPs will extend with the release of new movies, but in an interview I saw with Feige, he seems to be accepting the fact it's gonna be a while. That's why they went with Avengers over Spidey or X-Men, they had complete control after Fox (I believe) let Hulk lapse after the very underrated Ang Lee film from 2003.
I don't think it's so much as "superhero movies are hot in the industry". They are here to stay. Comics are starting to gain as much popularity here as manga is in Japan, both as an "alternative distribution medium" (Southland Tales 1-3, Star Trek: Countdown, Tron: Betrayal), and as basis material for movies/series (Blade, A History of Violence, Walking Dead, potentials for a Y trilogy).Zeus wrote:The only hope you have is Amazing Spiderman fails miserably and Sony loses their shirt. Unlikely considering #3 was over $1B. Same with X-Men First Class 2 but after the success of the first, I would seriously doubt it. There's hope FF and Daredevil will be lapsed by Fox as I'm sure they're mulling the risk over the $200M+ investment vs licensing fees and expected worldwide boxoffice. That's where Marvel might actually be hurting themselves with their success, though. All of a sudden, superhero movies are "hot" in the industry, they may be willing to take another chance with the mediocre box office ones. Let's hope not.
No, f u. Sony has been butchering their IPs. They don't deserve them, any more. Oh, and fuck you, Sam Raimi. First you ruin Spiderman, then you pretend Legend of the Seeker is just another Hercules series (which also blows). Go back to shitty horror movies, you hack!Eric wrote:f u, new Spider-man looks awesome. ;p
You hated the first two Spideys or are you bitching about the 3rd solely?SineSwiper wrote:No, f u. Sony has been butchering their IPs. They don't deserve them, any more. Oh, and fuck you, Sam Raimi. First you ruin Spiderman, then you pretend Legend of the Seeker is just another Hercules series (which also blows). Go back to shitty horror movies, you hack!Eric wrote:f u, new Spider-man looks awesome. ;p
But you're blaming the wrong person. There was an unspeakable amount of interference by Sony with #3. There's a reason Raimi was so demanding for #4 and why he ultimately didn't return, he was trying to avoid what they did to him during #3SineSwiper wrote:Well, they are rebooting the franchise, right? It doesn't matter if they make two really good ones and then the shitty one. The shitty one killed it.
LotS?SineSwiper wrote:I suppose LotS wasn't his fault, either? Granted, I'm not a huge fan of the series, but it seemed like it disappointed the many people who were.
I'm with you on that one for sure =)Flip wrote:I'm SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO over comic movies. I seriously doubt i'll see the avengers squad super powers mega team until it hits HBO or something.
Oh, he was exec producer on that. I would imagine he just was trying to make money off of it. He probably had as much to do with it as Spielberg had with Back to the FutureSineSwiper wrote:Legend of the Seeker
I liked Black Widow's character development, and they didn't try to oversex the dialogue. I mean, it doesn't even need oversexing. It's fucking Scarlet... in black leather... with long red hair... and a Russian accent. I couldn't even think of a sexier combination. It doesn't exist. It's like SEXY TIMES NINE THOUSAND! You can't go beyond that, right?Julius Seeker wrote: On your Thor comment. I am thinking the opposite.
You have:
The dude with the robotic suit
The dude with the frisbee shield
The dude who shoots arrows
The tits (her power is shooting a gun from what I have seen)
And the guy who's best known for destroying tanks when he gets angry
Why does Thor need these assholes? He's a War God!
Umm, his books stopped selling since kids don't read anymore and he wanted money?Flip wrote:Why did Terry Goodkind approve of this!?
I always knew he was a swarmy little nerd shit just by his book cover photo.Zeus wrote:Umm, his books stopped selling since kids don't read anymore and he wanted money?Flip wrote:Why did Terry Goodkind approve of this!?
I know zeus has already said it, but you can't blame Raimi for S3. In fact, give credit that it still came together as a comprehensible film despite the interference and changes. As for LotS, I like it -- you suck.SineSwiper wrote:I suppose LotS wasn't his fault, either? Granted, I'm not a huge fan of the series, but it seemed like it disappointed the many people who were.
Smacks of keeping a hold of the IP. Once one director/producer/person-in-charge is gone, they quickly reboot. They won't want to be "hamstrung" by the films previously done to allow the next person-in-charge to "create their vision". You don't allow that, you don't get "top talent". Since the IPs are worth so much, they wanna keep them and make sure they still make OK films so bam, reboot.kali o. wrote:I really don't like the fact they are rebooting everything nowadays in a matter of years. Smacks of creative laziness.
Why did you use so many words to repeat my "smack of laziness"? You just added a bunch of half ass excuses in "quotes".Zeus wrote: Smacks of keeping a hold of the IP. Once one director/producer/person-in-charge is gone, they quickly reboot. They won't want to be "hamstrung" by the films previously done to allow the next person-in-charge to "create their vision". You don't allow that, you don't get "top talent". Since the IPs are worth so much, they wanna keep them and make sure they still make OK films so bam, reboot.
Because it's not laziness. It's actually a ton of wasted effortkali o. wrote:Why did you use so many words to repeat my "smack of laziness"? You just added a bunch of half ass excuses in "quotes".Zeus wrote: Smacks of keeping a hold of the IP. Once one director/producer/person-in-charge is gone, they quickly reboot. They won't want to be "hamstrung" by the films previously done to allow the next person-in-charge to "create their vision". You don't allow that, you don't get "top talent". Since the IPs are worth so much, they wanna keep them and make sure they still make OK films so bam, reboot.
Wasted effort? It's cash ins, nothing wasted about it. You act as if continuity is an impossibility in fiction. These IPs have endless established content to work from. Fucking two years down the road we are gonna get Avengers: The Younger Years. because it *needs* a reboot.Zeus wrote: Because it's not laziness. It's actually a ton of wasted effort
You do realize we agree, yes? I'm just sayin' that it's not laziness, it's a studio doing what a studio does, milking an IP without understanding what it takes to take care of it. The "wasted" part refers the effort put forth to "re-define" things that don't need it. They're just putting their efforts in the wrong place as opposed to there being a lack of itkali o. wrote:Wasted effort? It's cash ins, nothing wasted about it. You act as if continuity is an impossibility in fiction. These IPs have endless established content to work from. Fucking two years down the road we are gonna get Avengers: The Younger Years. because it *needs* a reboot.Zeus wrote: Because it's not laziness. It's actually a ton of wasted effort